9/7/2023 0 Comments Best home studio micsThe mic ships with the bare minimum of accessories: a standard mount, and the mic itself. It shouldn’t technically be on this list.īut if you’re considering a mic priced around $500, it is worth taking a look at the TLM 102, at the time of this review priced around $700. The Neumann TLM 102 is the company’s first condenser mic to venture into somewhat-affordable territory. The C214 has low self noise and significant headroom with specs at 13 dBA for self-noise and a max SPL of 136 dB (156 dB with the attenuation pad). In general, with graceful handling of plosives and sibilance, the C214 is very easy to sing with. It has low response on sibilance and very little off-axis coloration. We were really pleased with how this mic handles vocals. It is manufactured in Austria and comes with switches for attenuation (-20 dB) and a bass-cut filter. The C214 has a back-electret design capsule. This mic is NOT suited for the following:Īlso note that this is not a good choice if you want a mic with warmth and ‘character’. It lends itself to vocals, guitar amps (not bass), acoustic instruments, and drum kits. The advantage that the C214 has over the others on this list, incredibly accurate mic with a hint of modern high-end boost. The C214 comes with an impressive steel carry case, an AKG H85 shockmount (fitting most mics with a shaft diameter between 19 and 26mm), and a sock-style foam pop filter. See here for our full review of the AKG C214. The AKG C214 is a well-designed fixed-pattern cardioid FET condenser mic with a clear, modern sound. It adjusts wonderfully, somehow giving the details we wanted without the unwanted ones. Vocals, spoken and sung, are really where this mic shines. If you’re looking to pick up the detail and character of your guitar amp, the AT 4033a will serve you well. We found that acoustic guitars found a new place in the mix with the AT 4033a. It’s hard not to like the super-silky character of this mic. The mic also handles loud volumes with very little distortion, fast transients, and an impressive max SPL at 145 dB. It achieves this while maintaining a relatively low self-noise at 17dB. Particularly impressive is this mics high output (extreme sensitivity) for its class. The build quality is obvious, and the matte black capsule is quite beautiful to behold.Īudio-Technica has artificially aged the capsule to preserve its sound signature for years of use. The AT 4033a sports a fixed pattern back-electret capsule protected by a double-layer grille. applications that require switchable polar patterns other than cardioid.This mic is not suited for the following: Its excellent off-axis response (nearly identical directly in front of the mic as it is when the source is placed to the sides) makes it versatile enough to mic cymbals and snares, acoustic instruments, amps, and vocals alike. Those looking for an affordable studio condenser mic with smooth, warm, open character would be pleased with this mic. This mic ships with the AT8449a shock mount, dust cover pouch, and a vinyl protective carry case. In the late 90s, Audio-Technica redesigned the innards primarily to reduce handling noise. The AT4033 has gained quite the following over years, known as an affordable, silky smooth large-diaphragm condenser mic.
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